The misadventures of a family with a home-business father and a journalist mother.
Set in a Washington, D.C. bar, Fred Willard was the bartender, and the patrons were all Krofft puppets, including former U.S. Presidents Reagan, Carter, Ford, and Nixon, and news reporters Dan Rather and Ted Koppel.
Angela and Tony want to pair off Angela's cousin Christy and Tony's friend Lyle. The evening together didn't go as planned, but on the following day the both stand in the doorway announcing their wedding. But unfortunately the wedding coincides with an icehockey game. As the game is more important, Christy angrily cancels the wedding.
An Irish castle, moved stone-by-stone to Central Park, turns out to be haunted by ghostly warriors who don't take kindly to being relocated without their permission. The Ghostbusters are soon engaged in a battle for the possession of Manhattan!
With Maddie in Chicago, Dave feels very sympatico with a client who offers $10,000 if they can locate the woman he spent one memorable night with.
Gyro, tired of being looked upon as a "gadget man", invents a time machine and uses it to go back in time to the Middle Ages.
Jimmy Kendall, living undercover after testifying against his Mob bosses, surfaces when he becomes the manager for a winning baseball team.
The Beagle Boys steal Gyro's handheld teleporter and use it to steal Scrooge's fortune.
Stardate: 41209.2. The crew of the Enterprise are infected with a virus contracted by the away team while they were investigating the mysterious deaths of the entire crew of the Starship Tsilkovsky.
"Killing All the Right People" is the 26th episode of the sitcom Designing Women. Originally airing on October 5, 1987, as the fourth episode of the second season, it features Tony Goldwyn as Kendall Dobbs, a young man dying of AIDS who asks the women to design his funeral. Series creator Linda Bloodworth-Thomason's mother died of AIDS and her experience with her mother's disease and the prejudice associated with it inspired the episode.
The legendary Paradise Towers is supposed to be the height of luxury but when the Doctor and Mel arrive, they find it is as far from paradise as possible...
A mysterious stranger from a small town arrives at the Ghostbusters headquarters requesting their help. Soon, the Ghostbusters find themselves caught up in a war between two groups of vampires and the original residents of Lupusville.
Al and Steve visit the vault at Steve's bank and the next day, one million dollars is reported missing. Peg and the kids hear about it and worship Al thinking that he stole the money and that they are now a wealthy family.
Starcom: The U.S. Space Force is an animated syndicated series in the 1980s that spawned a successful motorized toy line franchise in Europe and Asia for Mattel, despite its failures to succeed in its U.S. domestic market. The plot was based on the adventures of an American astronaut brigade as they fought off attempted invasions by Shadow Force, a nasty collection of aliens and robots led by the nefarious Emperor Dark. The show was developed with the help of the Young Astronauts’ Council with the original intention of sparking young viewers’ interest in the U.S. NASA Space Program. However, Starcom did not get much of a chance to make kids want to join the space program as it was cancelled off the air after one brief season. It was revived for a short run in the early 1990s, but no new episodes were aired. It was produced by DiC Enterprises and distributed by Access Syndication. The plot was classic Flash Gordon and Buck Rogers fare. The evil members of Shadow Force, led by Emperor Dark, were trying to take over the cosmos, and it was up to Starcom to stop them. Young hero Col. James “Dash” Derringer, an ace Starcom pilot, was the star of the series, and several of his teammates were family members. He was also backed up by the resourceful ace pilot John “Slim” Griffin, whose niece was yet another Starcom pilot. Other heroes on the Starcom side included Col. Paul “Crowbar” Corbin and Admiral Franklin Brinkley. The show had very high quality production, with top notch animation and relatively mature subject matter and dialog.
A woman who lives with mannequins because she is unable to deal with real people gets a rude awakening.
The continuing adventures of the "now adult" Beaver Cleaver, his family, and their friends.